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unknow artist Pentecost oil painting reproduction


unknow artist
Pfingsten
Pentecost
Gemälde IDENTIFIZIERUNG::  27509
 mk56 Öl auf Kupfer
mk56 oil on copper

 
 
   
      


El Greco Pentecost oil painting reproduction


El Greco
Pfingsten
Pentecost
Gemälde IDENTIFIZIERUNG::  28079
 das Öl von mk61 C.1600 auf Tuch 275x127cm
mk61 c.1600 Oil on cloth 275x127cm

 
 
   
      


GIOTTO di Bondone Pentecost oil painting reproduction


GIOTTO di Bondone
Pentecost
Gemälde IDENTIFIZIERUNG::  44316
 1320-25 Egg tempera on poplar, 46 x 44 cm

 
 
   
      


Jean Restout Pentecost oil painting reproduction


Jean Restout
Pentecost
Gemälde IDENTIFIZIERUNG::  52702
 1732 Oil on canvas, 465 x 778 cm

 
 
   
      


Salomon de Bray Pentecost oil painting reproduction


Salomon de Bray
Pentecost
Gemälde IDENTIFIZIERUNG::  97190
 oil on panel 38.1 x 52.1 cm signed b.c.: SBray. 1654 cyf

 
 
   
      
Salomon de Bray
(Amsterdam, 1597 - Haarlem, 11 May 1664) was a Dutch Golden Age architect and painter. De Bray established himself in Haarlem before 1617, where he is registered as being a member of the schutterij that year in the St. Adrian's cloveniers.He probably followed draftsmanship and painting lessons in the small academy started by Karel van Mander, Hendrick Goltzius and Cornelis van Haarlem, and where he married in 1625. He is registered as a pupil of Goltzius and Cornelis van Haarlem, but he probably started his training in Amsterdam with Jan Pynas, Nicolaes Moeyaert and Pieter Lastman.He painted history paintings, portraits and landscapes. As a Catholic he probably also made altar pieces for the Haarlem underground Catholic churches known as mission stations, or staties. He was a member of the Chamber of rhetoric called "De Wijngaertranken". This is probably how he met his wife Anna, the sister of the painter Jan and the poet Jacob Westerbaen. They married in 1625 and in 1630 he became a member of the Haarlem Guild of St. Luke. He cooperated with fellow Haarlem lukasguild member Jacob van Campen in the decoration of Huis ten Bosch in The Hague. His works draw on the spirit of the Dutch classicism beginning at that time, and are comparable with those of Pieter de Grebber. Transcription of Salomon de Bray's proposed hierarchy of the guild in 1631. The Haarlem archivist C.J. Gonnet published a book in 1877 on the Haarlem St. Lukasgilde archives. This was meant for historians wishing to do research on Haarlem painting, but who could not read the old handwriting.De Bray was also active as a designer of silverwork, as a poet, as an architect and as a town planner for the city council of Haarlem. He designed an ambitious plan to expand the city on the North side that was partially implemented in the decades after his death. He became headman of the Guild of St. Luke and even prepared a new charter for the guild (that was never ratified) in 1631. As an architect, he was involved in the construction or expansion of Haarlem's City Hall, Zijlpoort, and St. Annakerk (Church of St. Anne), and Nijmegen's city orphanage. One of his poems was set to music by his friend the composer Cornelis Padbrue. Salomon de Bray was the father of ten children, of whom three (Dirck de Bray, Jan de Bray, and Joseph de Bray) became notable artists. He probably died of the plague that hit Haarlem in 1664, as he and his children Jacob, Josef, Juliana and Margaretha all died in April and May of that year. His wife had already died the previous year. He was buried in the Sint-Bavokerk in Haarlem. In 1631 Salomon de Bray wrote "Architectura Moderna" which provided a biography and descriptions of buildings built by Hendrick de Keyser, one of the key Dutch architects of the period
Pentecost
oil on panel 38.1 x 52.1 cm signed b.c.: SBray. 1654 cyf

Related Paintings to Salomon de Bray :.
| Restaurant de la Sirene at Asnieres | Portrat der Konigin Maria Luisa | Murnaui Latkep Vasuttal es kastellyal | Virgin of the Immaculate Conception with Sts Andrew and John the Baptist | Dessert |

        
 
   
 

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